Henry is available to teach musical instruments online or in person

Songwriting

Henry studied Popular Music Composition at Leeds College of Music, where he received the annual prizes for Popular Music and for Songwriting, and graduated with an exemplary first for his final portfolio of compositions. He has released three albums of original material under his own name, as well as being part of numerous collaborative projects around Europe.

With such a wealth of experience in composition and arrangement, Henry’s songwriting sessions are suitable for both the experienced and advanced songwriter, looking for guidance on their existing compositions, as well as the beginner. Sessions can focus on any number of areas, such as lyric writing, arrangement, and will be tailored to the student’s interests and goals.

Henry can also provide tuition on using the Digital Audio Workstation, Logic Pro X – providing guidance on how to get the most out of this platform to compose and produce your work

 

Guitar

Sessions can take place at Henry’s home in West Yorkshire, or online via interfaces such as Zoom, or FaceTime, and are priced at £30 for an hour’s lesson, or £15.50 for a half hour session.

A student of the classical guitar, at the age of eighteen, Henry received an Exhibition Award from Trinity Guildhall in recognition of an exceptional performance in his grade eight exam. He continued to study the classical guitar during his time at Leeds College of Music, under the tutelage of Peter Batchelar. Henry teaches the classical guitar to all ages and abilities privately, in schools, and online. He also teaches more rock-orientated styles, and can offer tuition on areas such as harmony and improvisation.

Henry specialises in an area of guitar playing known as ‘contemporary fingerstyle’, which in many ways sees the application of classical styles to the steel-strung guitar. Aged 16, Henry discovered the music of Michael Hedges – a true innovator of the instrument. Through the application of classical techniques, experimentation with methods of producing both harmonic and percussive sounds, and with tunings – Michael opened the door for a wealth of incredibly creative and innovative guitarists and composers to walk through.

Henry has studied Michael’s music, as well as that of some of the other guitarists who have followed in his wake such as Eric Roche, Thomas Leeb and Pierre Bensusan. Students wishing to explore this style of playing for the first time will be helped by having an intermediate experience on the classical guitar.

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